Contact Person : Liu
Phone Number : 13332692681
WhatsApp : +8613332692681
June 16, 2021
Through a comprehensive survey of contemporary handicraft jewelry, the development of handmade leather goods in our country is difficult due to the cumbersome and time-consuming production procedures and the impact of mechanized mass production in modern industrial society. According to the advantages of handwork, give full play to the characteristics of leather goods to carry on inheritance and innovation for this traditional handicraft.
Handicraft is that people rely on both hands to create products, while industrial production mainly relies on computer technology and modern machines. The production line has less manpower, high efficiency, not easy to make mistakes and well-made products. Therefore, people tend to give up expensive handicrafts and choose cheap but finely crafted industrial products. In the face of a machine-produced society, although the power of hands is weak, every handicraft is full of the efforts of the craftsman. Japanese scholar Liu Zongyue once said: "The fundamental difference between hand and machine is that the hand is always connected to the heart, while the machine is unintentional." We cannot lose our hands while worshiping machine production.
One. Research on handmade leather accessories
Traditional handmade leather art is made by hand using pure natural leather. The individual products are very green and environmentally friendly, and the production process and consumption process rarely produce pollution. Handmade leather art relies on hand-made, the product itself bears the brand of the creator, full of the creator's personality and life perception, and the decoration is meticulously crafted and beautiful.
Through investigation and analysis, there are currently four major series of leather products on the market: fashion series, luggage series, belt series, and leather accessories. The first three categories account for more than 90% of the total; handmade leather accessories are mainly small pendants, keychains, and a small number of leather-based necklaces and bracelets. The proportion is relatively low, and handmade accessories with leather as the main material are even rarer. less. In terms of the characteristics of jewelry, the conclusion drawn from the market survey is that leather jewelry that is functional and has a certain decorative effect on the market is in short supply. Take keychains as an example, they are divided into two categories:
(1) It is purely functional, acting as a connector;
(2) The small animal images made by hand are mainly decorative, which increase the decoration and interest but lack practicality.
In terms of decorative style, most of them lack leather accessories with Chinese characteristics. The jewelry on the market is simple in shape, has no characteristics, and is easy to be made the same. There is no specific Chinese cultural connotation and lack of design. Taking the bracelet as an example, there are three characteristics: (1) the bracelet almost matches with metal; (2) the bracelet shape is almost straight; (3) the theme is not clear.
For the new idea of handmade leather accessories, you can investigate the basic factors based on the use of "motivation" on the existing basis:
(2) Aesthetic concept;
(6) Social expectations;
(7) Ability and knowledge;
(8) Faith (belief)" to analyze, refine the use function and style characteristics of handmade leather accessories, and design accessories.
"Traditional elements in jewelry design refer to jewelry design styles, jewelry styles and custom wearing jewelry with ancient Chinese characteristics." This also includes the design elements of materials, patterns, shapes, and colors used in jewelry design. Traditional patterns are representative of traditional elements. The shape and pattern of the product need to be redesigned during the conception. It must be traditional, but also concise, lively, and abstract.
After the selection of the design plan, it was finally decided that the jewelry should use more representative Chinese ceramics as auxiliary materials, and be inlaid with the leather. The Chinese traditional patterns are given on it, which symbolizes a life concept and not only a decorative symbol, but also a deeper level It reflects the connotation of traditional culture.
2. Conceptual product design innovation
The implementation process of the design concept includes three stages: drawing of design drawings; making jewelry paper molds; making final models (including leather carving, hollowing, ceramic glazing, and firing).
Design plan 1: Absorb the essence of ancient Han costumes in the shape, integrate with stable leather and elegant celadon, and complete the whole work with cloud and wave patterns all over the ornaments. It implies a sense of exaltation, simple and abstract form, in line with modern aesthetics. As a small sculpture, the celadon is inlaid in its center, which is unique and not arrogant. The highlight of the design is that the item can be lengthened and contracted according to personal preferences, and the operation is simple; the two brown porcelain cylinders are connected, and different spices can be put in according to personal preferences, which is relatively functional.
Design plan 2: Use the hollow method to increase the sense of space and breathability for the neck. The curved shape and the feminine soft curve set off each other. The ceramic red and black match, absorbing the characteristics of window grilles, creates a brand new visual experience. Ornament decoration Strong sex, with a sense of design, in line with the aesthetic taste of young and middle-aged women.
According to the research of innovative handmade leather accessories, the inheritance and innovation of leather craftsmanship should follow four points:
(1) Avoid masterpieces that take the route of high-end art and machine-produced handmade jewelry that looks like but scattered (the former is expensive, the latter loses the value of traditional handicrafts);
(2) Catering to the needs of the current people while not forgetting its spiritual connotation;
(3) The design should give full play to the characteristics of leather goods;
(4) Integration of new materials and technologies.